The feedback we received from the recent Genesis'88 Reunion has been so immense that we felt it was near time to unleash the 'brand' once again on the world population. Today we can say world population because the internet allows us to interact with people in ways we wouldn't have thought about in the 1980s. In the days before twenty four hour clubbing, when clubs closed at 2.30am, a small bunch of people launched Acid House to the UK masses. Genesis'88 kicked off their tour in November 1988 in a warehouse in East London. Entrance was gained in numerous buildings which we fronted wearing business suits while carrying clipboards with fake documents pertaining to the company we represent (always a major company such as Sony, EMI, Channel 4 or super star management with clients such as George Michael).
Once we got stamped by local police we'd normally be completely behind the scenes so no-one really knew who we were unless from the inner circle. Very few photos were ever taken at Genesis events through fear of being arrested and placed on major charges that couldn't be beaten under the current hang-erm-high climate of the period. The press did a great job of demonising us and the law quickly changed. Promoters were now at risk of imprisonment, assists over £20,000 confiscated and compulsory 6 months in prison. You really had to have heart to continue the journey as a promoter. Genesis'88 moved forward at full speed.
The Genesis'88 Reunion on the 28th October was located opposite the Olympic Stadium of 2012 and broadcast across the internet live as it happened. We had friends in many countries locked on to the live stream and really enjoyed the concept of broadcasting our events. Within a week of the reunion we were on Skype with Danny Midi Man setting up an online radio station. We chose one of the free services because our main aim was to broadcast the party again for the people that were there and wanted to relive the moment. That's when a Genesis member called Boston stepped in and offered to build a fully functional online radio station.
The idea was to broadcast old skool sounds of the late eighties on the weekends but this quickly developed into providing a platform for all music. DJs from around the world are now lining up to play a set on Genesis'88. All musical tastes are catered for by internationally known DJs, local DJs, up n coming DJs…
We're fine tuning the station as we speak and testing it almost daily. In the future shows will be announced via Facebook Please Bookmark, Share, Email, Like… Big Love
Meanwhile back on the farm Genesis'88 members have been busy spreading the love across the internet. Jason even produced the short video below.... Very Funny
Genesis'88 - Online Radio
admin Pm001, Sunday, November 6, 2011LSD Magazine Interviews - Jesse Saunders (Issue 2)
admin Pm001, Wednesday, September 1, 2010Its not often your given a chance to have a personal one to one with some of the heroes we grow up respecting. Some of you may already know I have an online magazine which i produce alongside one of the Spiral Tribe organisers Siruis23. Our magazine is mainly geared for street art graffiti but as well traveled lads our interests are pretty broad and this is reflected in the many other aspects of life also presented in the magazine. We decided to dedicate an entire issue to Acid House because of its importance in the history of Great Britain. Siruis23 and I took great pleasure in interviewing the heroes of the late eighties so without further delay we present the first in a series of excerpts taken from LSD Magazine BE SURE TO JOIN OUR NEW FACEBOOK PAGE Classof88....
And it all started here....Pure legend, Jesse Saunders made the first ever house record in 1984 and has never looked back, throwing all his energy, love and positivity into the movement he played such a seminal role in creating. DJ, sublime innovator, driving, force, inspirational ambassador and sparkling ball of energy, Jesse spoke to us -
What were your early influences both musically and personally and how did they lead to house music?
I took all kinds of instrument lessons from the early age of 5…from trumpet to piano and recorder (flute) to drums. My favorite tunes were anything with a heart and soul-from classic rock to R&B, I loved the melodies and the grooves! That’s what led to the foundation of House Music! My favorite groups and influences were Earth Wind & Fire, Heatwave, Fleetwood Mac, America, The Beatles, Chicago, Human League, The Bangles and Bob Marley!
What does DJing mean to you?
DJing is an ART! You don’t just learn how to beat match-Anyone can do that! You have to understand and read your crowd and immediately interpret where you want and need to take them…through the highs and lows and buildups. You can’t just pound them over the head with hard beats, or lull them to sleep with soft beats. It should be a musical journey through all kinds of emotions and sounds. There’s no better high than seeing a crowd react and anticipate to your every move.
What was the creative atmosphere like in early 80’s Chicago?
In the early 80s there wasn’t much of a creative atmosphere except for New Wave. My friend and I used to go to The Exit and Neo’s which were underground clubs for the New Wave bands. I was playing at the Playground and would always play a NEW Wave set mixed in with Disco Classics and Electro tracks coming from Europe. It wasn’t until I decided to make ON & ON that things started heating up creatively. ON & ON was released in January of 1984 to overwhelming response. Then other DJs saw what I was doing and tried to copy it. The 1st DJ I made a record for was Farley. He actually tried to sing on it! LOL.
Where did the beats and the vibe for On and On come from?
I made the beats on my Roland TR-808 and played all the instruments and effects on a Poly 61. The bass-line came from a Roland TB-303. I recorded it all on a Tascam 4 track cassette recorder in my bedroom.
Were you aware of what was being created back in 1984 – could you even have dreamt of the possibilities.
Of course not! How could I? I just wanted to make a record. I still to this day cannot believe the magnitude of what I created.
What was it about house music that made it a medium for so many different styles and grooves?
It’s that 4 on the floor pounding beat that gets into your soul! You can put anything musically on top and you still have the drive!
Can you give us an insight into the soul and the power of house music?
House is a feeling. If you can’t feel it, you don’t understand, but when you do, it stays with you for life!
What did the Immense commercial success of Love Cant Turn Around with Farley mean for the direction of house music?
The funny thing about that is it wasn’t Farley that made Love Can’t Turn Around! It was Darryl Pandy’s vocals and my production! I remember touring in the UK in 1986 and while DJing at the Virgin Megastore I see the video come up on the TV. I was like WHAT THE FUCK????? I had no idea there was a video. They did all of that behind my back. Our agreement was that the record was released as Farley Jackmaster Funk & Jesse Saunders. So it’s still dumbfounds me that Farley gets all the credit, but I get all the Publishing so no worries! LOL.
How do you feel about the intense cultural shift house created – what was it that made so many people loving and free?
It’s like Woodstock in 1969. I have to thank the Brits for that feeling cuz you guys started the Rave culture which was based on love, sex and drugs (we could have left the drugs out, but oh well…)! People want to feel good, dance and love each other. It’s a natural human characteristic. House provides the love and freedom in the music for all!
LSD MAGAZINE ISSUE 2



